BNS Singing Ambassadors of Sri Lanka

8 09 2007


Fans of the distinctive style of music popularised by Bathiya and Santhush will be thrilled with the current edition of LIVING, the glossy lifestyle journal from Media Services. The lead story features Sri Lanka’s bathi‘brand ambassadors’ and details the musical journey of two childhood friends who made it all the way to the top.

“We had absolutely no intention of getting into the industry,” confesses Santhush. However, ‘get into the industry’ they did! And although success has altered their lifestyles, the duo takes it in their stride: “You have to be presentably dressed at all times. One loses the luxury of walking around looking dishevelled, since that would mean disappointing some fans,” laughs Bathiya.





Bathiya & Santhush Launch Debut Hindi Album with Universal Music – INDIA

27 03 2007

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Sri Lankan pop sensations ‘Bathiya N Santhush’ on why they chose to Debut Hindi Album with Universal Music – INDIA

They’ve toured over 35 countries, performed at the Sydney Opera House, Festival De Cannes and Millennium Dome in London and are the only artistes in Sri Lanka to have a clothing line named after them. Now, Bathiya and Santhush are out with a Hindi pop album ‘Ayubowan’ (Namaste)

The album merges traditional Sri Lankan culture and scenic landscapes with a mix ofHindi and English lyrics.

While some may call this mere expansion of business, the album means much more to the singing duo. Bathiya says, “India and Pakistan share a lot of similarities in terms of songs and culture. It’s an attempt to include Sri Lanka in this group.”

Santhush adds, “It’s a step to take our country to the global front.” Ask about his perception of neighboring country India and he adds, “India is our big brother. We are a small countrywith talent and have a lot to offer.”

While the step to enterIndia after reigning over the Sri Lankan masses wasn’t an easy one, the project required a lot of other efforts as well. “Indian singers primarily use their stomach. Adapting to this was a different experience,” explains Bathiya.

Rajath Kakar, MD, Universal Music, sums up their abilities. “After this album, most people might even think that Sri Lankans speak Hindi!” he smiles.





First anniversary party

9 12 2006

By Jeevani Pereira

The YFM first anniversary party is set to go underway on the 9th of December at the BMICH Western Garden from 6.30 pm onwards.

The radio channel which is solely dedicated for the youth of the country, is ready to give their fans an experience of a lifetime with performances by Bathiya and Santhush, Chinthy, Shihan Mihiranga, Iraj, Theesah, Ashanthi and the Centigradz along with many more.

Thanuja Perera, Director of Y FM said that the year to come had more in store for the channel that completes all expectations and with new and improved programming. "Y FM is a channel that concentrates exclusively on youth between the ages of 16 to 24 and young adults ranging up to 30," she said

"We provide music is listened to by for this target group and programmes that are specially made for their taste unlike any other station," she said adding that while they provide music in Sinhala, Hindi, Tamil and English they also concentrate on DJ mixes, R&B and Hiphop. "Programmes that give opportunity to the talents of the youth is part of Y FM also. We give time for school projects and activities based on environment, music and sports for our listeners to take part in," she continued.

The Radio Club is one such programme for students who are part of the Broadcasting units of their schools to take part in a Q&A session. Furthermore, Iraj who is among the most popular figures among the young today hosts the ‘Hip Hop Party Show’.

"That and the Y FM Night Club on Friday and Saturday nights where we try to create a night club atmosphere are among our popular shows," Thanuja continued.

Thus with ten young DJ’s in the team Y FM has completed a successful year according to Thanuja. "We have faced many challenges but come this far and we hope to take it further in the next year," she said.

Speaking on challenges she also mentioned the Y FM rock climbing competition they had over the last couple of months. "We had a good response for it because the youth love pushing the limits and taking on challenges, and that’s the reaction we received for this."

Saying that the awards ceremony for the competition will be held on the 9th as well, Thanuja encouraged all fans to continue joining into Y FM for more great programming in the future.

-DM Mirror Life-





Punjabi music and songs

7 12 2006

By: Kaler Kanth

Punjabi folk music is highly rhythmic, and very diverse. The western region is the home of styles like dhoola and mahiya, while the popular boli style is performed different across the region. The vocals are another integral part of Punjabi music, as are instruments like the dhol, tumbi, dhad sarangi, algoza and Ektara.

Punjab

The birthplace of Bhangra, the Punjab is a region extending over part of Northern India and Northeastern Pakistan. Translated, the name "Punjab" means the "Land of Five Rivers." The people of the Punjab are called Punjabis and they speak a language called Punjabi. The three main religions in the area are Sikhism, Hinduism, and Islam. The region has been invaded and ruled by many different empires and races, including the Aryans, Persians, Greeks, Muslims, and Mongols. Around the time of the 15th Century, Guru Nanak Dev founded the Sikh religion, which quickly came to prominence in the region. The 19th Century saw the beginning of British rule, which led to the emergence of several heroic freedom fighters, the subject of many Bhangra songs. Finally, the Punjab was split between Pakistan and India at the end of British rule in 1947. This partitioning resulted in a large migration of Punjabis into the United Kingdom, which eventually led to the emergence of Bhangra in Western clubs and dancehalls.

Bhangra

Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it.

Bhangra Instruments

Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments.

The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck.

The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum.

Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it.

Bhangra Instruments

Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments.

The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck.

The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum.

Bhangra Today

Bhangra has come a long way in the 20th Century and has recently taken the entertainment industry by storm. In the 1970s and 1980s, many Punjabi singers from Southeast Asia and the United Kingdom emerged, setting the stage for Bhangra to become a hot new trend in dance music. Modern Bhangra artists, in addition to recording and performing traditional Bhangra, have also fused Bhangra with other music genres, such as hip-hop, reggae, house, and drum-and-bass.

Article Source: http://www.article-buzz.com

Information about the Author:

Kaler Kanth is an author of many articles from PZ10.com mainly about punjabi music, punjabi songs and punjabi related themes . Submitted with Article Distributor.